Sharoma Cassette Tape

Cassette Tape

My favourite of all the audio formats. You can't beat FLAC for clarity. Digital lossless will always be the superior way to archive and listen critically. When it comes to pure listening enjoyment however, for me nothing can beat the cassette tape. The form factor is a work of art. The sound has that appealing analogue warmth. The recording process always reveals interesting differences to the source.


I've traded literally thousands of compact discs since the year 2000. Mostly Clash and post punk related, I also occasionally swapped vinyl, tapes and MiniDiscs. CD/wave/FLAC was always paramount for obvious reasons. Now that I (and hopefully you) have finally acquired everything there is and my collection is all in FLAC, it's time to turn to pure pleasure listening and the novelty of tape trading! It's quite simple. Contact me if you want a tape containing anything you can find on the site (or anything you know I listen to). If you send me two blanks, I'll return one with content and pay postage too. If you send me one blank, I'll return it with content but you'll pay postage and packaging. I prefer the two tape idea as it's easier all around and will keep me in blanks.


I've had lots of audio equipment in my life and sadly most of it is long gone. I still remember all the amps, receivers, EQs, tape and MiniDisc decks, CD players and turntables. Below you can read my thoughts on every cassette player I owned.


Now that I am back into tapes after an absence of a decade it is time to reflect on the equipment of my past. I owned a variety of equipment which forms a usesful cross section of quality, features and age. My current tape deck is a brand new (in 2021) TEAC W-1200. To judge how satisfying a component it is will require extensive recording, listening and comparison-from-memory of all the equipment listed below.

TEAC W-1200

I'm still testing this unit but so far I am happy with it. Some positive features:


With the exception of the TC-WE475, the equipment listed below is either long-gone, donated or traded in.


As a four to five year old my entry to personal music consumption came courtesy of a handheld silver tape recorder, the brand of which I sadly cannot remember. In around 1988 I recorded my first ever tapes and played them back on this unit in my bedroom. It was mono but at age 5 the sound quality was not a concern compared to the delightful novelty of my own music player. I have a distinct memory of listening to The Beatles' cover of Please Mister Postman (I had taped With The Beatles) while having a bath. My dad came upstairs to investigate the noise!

Panasonic SG-3000

This music centre was in the family living room until 1991 when the unit below replaced it. From '91 onwards it became mine! Perhaps the finest HiFi equipment an eight year old ever inherited? A genuine 1970s music centre: a capable AM/FM receiver, two decent sized wooden speakers and best of all, a tape recorder! My obsession took hold, I quickly began acquiring recordings from the LPs downstairs and sometimes the radio too. This was a high quality unit and I have many fond memories with it, such as having to turn the bass down when listening to Wings Greatest on tape one evening - we had a guest over.

Sanyo MGP-29

Purchased for me during a childhood hospital stay (1992) by my grandma, for £15 I believe. I recall enjoying listening to my early mix tapes on it. This was my intro to the Sanyo brand which at first reminded me very much of Sony, albeit a bit cheaper.

Sony MHC-2500

Made in Japan. I can still remember the day my father acquired this unit. It was the family's first CD player and the SG-3000 was moved to my room! What joy for an eight year old. The MHC-2500 was an extremely well made midi system. The texture of the plastic was very pleasing and this extended down to the tape player's logic buttons, which also had little LEDs in them! A superb system which came with three-way speakers and a phono input - no aux in sadly.

Sony LBT-D117

Made in Malaysia and to my ten year old self, immediately not up to the quality of the MHC-2500. Everything felt lighter and cheaper, the tape buttons weren't logic and the speakers were only two-way. On the plus side it had an aux in, meaning I could finally hookup the Matsui portable in my bedroom. This wasn't a bad all-in-one system though the turntabe it came with ran a little too fast, leading to some unique Clash rips.

Aiwa HS-TX377

Purchased from Argos in 1998 for £35. I used it for radio before I used it for tapes, but when I did it enjoyed stellar service for the next three years.

Sony CMT-M100MDS

A micro system which had a USB output. I bought this in 2002 mostly to experiment with an all-in-one system which boasted cassette, radio, CD and MiniDisc. With the addition of a turntable there were many possibilities. The tapes it made sounded decent.

Kenwood KRC-235

This car unit played all of my cassettes, from the childhood collection, teen through to early adult mixes. In the front were the usual Pioneer car speakers. In the boot I placed the speakers from the LBT-D117 noted above. The bass response was excellent.

Sony TC-K-61

Ah! The one that got away. This mint condition beauty was sold to me on eBay in 2004. His elder relative had cherished it since new, and I continued the tradition. An absolute beauty, built like a tank. When I played Joy Division's Substance on pre-recorded cassette to Wooly, he was astouned and declared it superior to the CD. Sadly, I do not know what happened to this fine unit. When I returned home from Canada, it had vanished. I hope it went to a good home. (I will be able to detect it, since the previous owner had left two clues on the panel.)

Denon DR-M33HX

This was the best deck I ever owned, simply because it was from the peak era for the format. My only deck to include a fine bias control and three heads. It made exceptional recordings as you would expect. I used Maxell XLII for the duration of its run and this collection too has been lost.

Sony TC-WE475

I rescued this from a thrift store in late 2020. Once it was re-worn in, it's performing to standard. Deck A's door is considerably stiffer than B, as though it hasn't even been used.

Last updated: March 1st, 2021.